WOMEN COMPOSERS 365 DAYS A YEAR

17 JANUARY 2019

Thursday, 17 January 2019

LEOPOLDINE BLAHEKTA- AUSTRIA
DIED 17 JANUARY 

Leopoldine Blahetka was born in Guntramsdorf near Vienna, the child of George and Barbara Joseph Blahetka Sophia, née Traeg. Her father was a history and mathematics teacher and her mother a physharmonica teacher and performer. Her maternal grandfather was the Viennese composer Andreas Traeg.

The family moved to Vienna and George Blahetka took a job with the Traeg music publishing house. Leopoldine took piano lessons from her mother and made her debut as a pianist in 1818. Afterwards, she studied with Joseph Czerny, Hieronymus Payer, Eduard Freiherr von Lannoy, Joachim Hoffmann, Catherina Cibbini-Kozeluch, Friedrich Kalkbrenner, Ignaz Moscheles, and later composition with Simon Sechter.

In 1821 Blahetka began touring Europe, accompanied by her mother, and continued to tour for about twenty years. In about 1830 the family moved to Boulogne-sur-Mer, France,Iet seeking a better climate. Blahetka died in Boulogne-sur Mer.

♫ LISTEN 


Variationen Op.39 für Flöte und Klavier by Leopoldina Blahekta 



 FIND SCORES BY LEOPOLDINA BLAHEKTA




IET STANTS - THE NETHERLANDS
BORN 17 JANUARY 

Hendrika Henriëtte Cornelia Stants, known as Iet Stants, was a Dutch composer. From 1919 she studied at the Toonkunst music school in Utrecht and her first compositions – three songs, a string quartet, and three piano pieces survive from 1920. In 1921 she wrote a second quartet, a piano quintet, a parody opera, and a pastorale for orchestra. In 1925 she completed only a piano trio and a choir piece. Insecure and disillusioned she decided to stop composing. She took an office job and composed only sporadically.
In October 1938 Stants married Leendert Sillevis from Culemborg, a widower fourteen years older than her. She began to compose again: a concerto grosso for flute, cello and string orchestra in 1940 and a suite for small orchestra in 1942. She was one of Willem Pijper’s first composition students (in the early 1920s). Her most productive period was 1920–1926. Composed for orchestra and smaller ensembles; works include two string quartets, a piano trio, and a violin sonata. After WWII she focused solely on teaching.
♫ LISTEN 

Contrafactus by Iet Stants



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