13 FEBRUARY 2019

ELSA BARRAINE - FRANCE - AUSTRALIA
BORN 13 FEBRUARY

Elsa Jacqueline Barraine was a composer of French music in the time after the neoclassicist movement of Les Six, Ravel, and Stravinsky. Despite being considered “one of the outstanding French composers of the mid-20th century,” Barraine’s music is seldom performed today. She won the Prix de Rome in 1929 for La vierge guerrière, a sacred trilogy named for Joan of Arc, and was the fourth woman ever to receive that prestigious award (after Lili Boulanger in 1913, Marguerite Canal in 1920, and Jeanne Leleu in 1923).

Born in Paris to Alfred Barraine, the principal cellist of the Orchestre de l’Opéra, and Mme. Barraine, Elsa Barraine began studying piano at a young age. She attended the Conservatoire de Paris and studied composition with Paul Dukas, whose impressive list of students includes Yvonne Desportes, Maurice Duruflé, Claude Arrieu, and Olivier Messiaen. Barraine and Messiaen were good friends throughout their lives and kept in frequent contact. Barraine worked at the French National Radio from 1936 to 1940 as a pianist, sound recordist, and the head of singing, then after World War II as a sound mixer. During the war, Barraine was heavily involved in the French Resistance and was a member of the Front National des Musiciens. Between 1944 and 1947 she held the position of Recording Director at the well-established record label Le Chant du Monde. In 1953 Barraine was appointed to the faculty at the Paris Conservatoire, where she taught analysis and sight-reading until 1972.It was then that the Ministry of Culture named her Director of Music, giving her charge of all French national lyric theaters.

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Symphonie No 2, by Elsa Barraine 

  

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JEANNE DEMESSIEUX - FRANCE

BORN 13 FEBRUARY

Jeanne Marie-Madeleine Demessieux was a French organist, pianist, composer, and pedagogue. From 1936-39, Demessieux studied organ privately with Marcel Dupré, whose organ class at the Conservatoire she joined in 1939. After receiving a first prize in organ performance and improvisation in 1941,

Demessieux studied privately with Dupré in Meudon for five more years, before she played her début concert at Salle Pleyel in Paris in 1946. This was the beginning of her career as an international concert organist. Demessieux gave more than 700 concerts in France, the United Kingdom, Belgium, the Netherlands, Switzerland, Germany, and the United States. She had memorized more than 2,500 works, including the complete organ works of Bach, Franck, Liszt, and Mendelssohn, and all of Dupré's organ works up to Opus 41. A prolific recording artist, she was awarded the Grand Prix du Disque Award in 1960 for her complete recording of Franck's organ works (1958).

In 1962, Demessieux was appointed as titular organist at La Madeleine in Paris. She combined this with demanding academic duties, serving as professor of organ both at the Nancy Conservatoire (1950–52) and later at the Conservatoire Royal in Liège (1952–68). In 1967, she signed a contract with Decca for a recording of the complete organ works by Olivier Messiaen, which she did not live to finish.

Demessieux wrote more than 30 compositions. Many of these were written for the organ, but she also produced pieces for piano, fairly numerous songs, a handful of choral works (including an oratorio, "Chanson de Roland"), and orchestral works. About half of her output has been published to date. The Dutch label Festivo has re-released on CD several of her LP recordings, including the above-mentioned 1958 recording of Franck's complete organ works.

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Te Deum Op. 11 by Jeanne Demessieux

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