TEBOGO MONNAKGOTLA - SWEDEN
BORN 25 MARCH
Tebogo Monnakgotla was born and raised in Uppsala. At the age of ten, Tebogo started to play the cello in the town music school. 1994 she started to study composing and cello-playing at Piteå college of music, in 1999 continuing her studies at the Royal College of Music in Stockholm, were she finished her postgraduate diploma studies in 2006.
Tebogo Monnakgotla has composed mostly for orchestra and chamber-ensemble but has lately been focusing on opera, with a recent piece - Jean-Joseph - for the Royal Opera in Stockholm and other stage works in progress with, amongst others, Swedish poet Athena Farrokzhad. Monnakgotla is currently writing a piece for baritone Luthando Qave and The Swedish Chamber Orchestra, which will be premiered at Örebro Concert hall the 3rd of March 2018.
Tebogo is especially fond of using poetry in her music and this has led to a longer co-operation with poet Li Li. She also worked with poetry by, Oliveira Silveira, late Malagasies poet Jean-Joseph Rabearivelo and others.
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JULIA AMANDA PERRY - USA
BORN 25 MARCH
Julia Amanda Perry was a prolific composer of neoclassical music during her relatively brief life. Born on March 25, 1924 in Lexington Kentucky, she spent most of her early years in Akron, Ohio. Her father, Dr. Abe Perry, was a doctor and amateur pianist, who once accompanied the tenor Roland Hayes on tour. Her mother, America Perry, encouraged her children’s musical endeavors; both Julia and her sisters studied violin from a young age, Julia switched to the piano after two years of violin.
Upon graduating from Akron High School, Perry attended Westminster Choir College in Princeton, New Jersey from 1943 to 1948, where she graduated with a bachelors and masters in music. Her master’s thesis, Chicago, inspired by the poetry of Carl Sandberg, was a secular cantata for baritone, narrator, mixed voices, and orchestra. She continued her musical training at the Julliard School of Music and she also spent summers at the Berkshire Music Center in Tanglewood, Massachusetts. Her first major composition, the Stabat Mater, appeared in 1951. Three years later in 1954 her opera, The Cask of Amontillado, was first staged at Columbia University. She also wrote Homage to Vivaldi for performance by symphony orchestras.
By the late 1960s her works had received wide acclaim and were performed by the New York Philharmonic and other major orchestras. The classical record label, Composers Recordings, released several of her compositions in 1969; she also won awards and accolades from the National Association of Negro Musicians, the Boulanger Grand Prix, and the National Institute of Arts and Letters, among others.
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Study for Orchestra by Julia Amanda Perry
Study for Orchestra by Julia Amanda Perry
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