WOMEN COMPOSERS 365 DAYS A YEAR

18 NOVEMBER 2019

Monday, 18 November 2019



BARBARA GIURANNA - ITALY
BORN 18 NOVEMBER

Elena Barbara Giuranna Was an Italian pianist and composer.

Barbara Giuranna was born in Palermo, Italy, and studied piano at the Palermo Conservatory with Guido Alberto Fano. She also studied composition at the Naples Conservatory with Camillo De Nardis and Antonio Savasta. She continued her education in composition at the Milan Conservatory with Giorgio Federico Ghedini.

Giuranna composed works for stage, orchestra, chamber ensemble, chorus, violin, and piano. Giuranna also published arrangements of 18th-century music including Paisiello, Vivaldi and Cimarosa.

After completing her studies, Giuranna taught at the Rome Conservatory from 1937 to 1970 and worked as an editor of 18th-century music. She was a music consultant to RAI in Rome from 1948 to 1956, and was elected a member of the Accademia Nazionale di Santa Cecilia in 1982. She died in Rome.


♫ LISTEN

Adagio ed Allegro da concerto by Barbara Giurianna




LILLIAN FUCHS - USA
BORN 18 NOVEMBER

Lillian Fuchs, an American violist, teacher and composer, is considered to be among the finest instrumentalists of her time. She hailed from a musically talented family: her brothers, Joseph Fuchs, a violinist, and Harry Fuchs, a cellist, performed with her on numerous commercial recordings. Her children and grandchildren continue in her footsteps.

Lillian Fuchs began her musical studies as a pianist, later studying violin with her father and afterwards with Franz Kneisel at the Institute of Musical Art, now the Juilliard School. She enjoyed a distinguished teaching career at the Manhattan School of Music, the Juilliard School, the Aspen Music Festival and School, and the Blue Hill Music School, which she founded with her brother Joseph. Martha Strongin Katz, James Wendell Griffith, Geraldine Walther, Lawrence Dutton and Yizhak Schotten were her students. Her books of etudes for the viola (Twelve Caprices for Viola, Fifteen Characteristic Studies for Viola, and Sixteen Fantasy Etudes) are in standard use today in universities and music schools around the world, and were much appreciated by the great Scottish violist, William Primrose. She also composed a Sonata Pastorale for solo viola.

Lillian Fuchs made her New York début on the violin in 1926, but soon switched to viola at the urging of Franz Kneisel (she was once heard to say, much to the great surprise of the auditors present, that it had never been her idea to play the viola, as she considered the instrument to be too big for her!). She played in a number of chamber groups, notably the Musicians Guild, and appeared as a soloist with major orchestras, including the New York Philharmonic and the Casals Festival Orchestra. In 1947, Bohuslav Martinů composed and dedicated his 'Madrigals' for violin and viola to Lillian and Joseph Fuchs after hearing them perform the Mozart Duos at Town Hall in New York City.

A renowned teacher of viola, Fuchs was also an important teacher of chamber music, counting among her pupils Isaac Stern, Pinchas Zukerman and Dorothy DeLay. Lillian Fuchs's influence can be seen in her two daughters, Barbara Stein Mallow, cellist, Carol Stein Amado (deceased), violinist, her granddaughter, Jeanne Mallow, violist, and grandson, David Amado, conductor.


♫ LISTEN

Sonata Pastorale by Lillian Fuchs

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