31 AUGUST 2019

ALMA MAHLER-WERFEL - AUSTRIA
BORN 31 AUGUST

Alma Maria Mahler Gropius Werfel (born Alma Margaretha Maria Schindler; 31 August 1879 – 11 December 1964) was a Viennese-born composer, author, editor and socialite. At fifteen, she was mentored by Max Burckhard. Musically active from her early years, she was the composer of at least 17 songs for voice and piano.

Alma played the piano from childhood and in her memoirs ("Mein Leben"), reports that she first attempted composing in the beginning of 1888 on the Greek island of Corfu. She studied composition with Josef Labor beginning in 1894 or 1895 and until 1901. She met Alexander von Zemlinsky in early 1900, began composition lessons with him that fall, and continued as his student until her engagement with Gustav Mahler in December 1901, after which she ceased composing. Up until that time, she had composed or sketched mostly Lieder, but also around 20 piano pieces and a small number of chamber music works, and a scene from an opera. She briefly resumed composing in 1910, but stopped in 1915. The chronology of her compositions is difficult to establish, because she did not date her manuscripts and destroyed many of them herself. Attempts to establish a chronological list of her works have been made by Professor Susanne Rode-Breymann in 1999 and 2014, and by Danish scholar Knud Martner in 2018.

Only a total of 17 songs by her survive. Fourteen were published during her lifetime, in three publications dated 1910, 1915, and 1924. The first two volumes appeared under the name Alma Maria Schindler-Mahler, and the last volume was published as "Fünf Gesänge" by Alma Maria Mahler; the cover of the 1915 set was illustrated by Oskar Kokoschka. Three additional songs were discovered in manuscript posthumously; two of them were published in the year 2000, edited by Dr. Susan M. Filler, and one published in 2018, edited by Barry Millington. Her personal papers, including music manuscripts, are held at the University of Pennsylvania, the Austrian National Library in Vienna, and the Bavarian State Library in Munich. These songs have been regularly performed and recorded since the 1980s. Orchestral versions of the accompaniments have been produced. Seven songs were orchestrated by David and Colin Matthews(published by Universal Edition), and all 17 songs were orchestrated by Julian Reynolds, and by Jorma Panula.

Alma Mahler was not only an articulate, well-connected and influential woman, but she also went on to outlive her first husband by more than 50 years. For half a century, therefore, she was the principal authority on the mature Mahler's values, character and day-to-day behaviour, and her two books quickly became the central source material for Mahler scholars and music-lovers alike. Unfortunately, as scholarship has investigated the picture she sought to paint of Mahler and her relationship with him, her accounts have increasingly been revealed as unreliable, false, and misleading, and evidence of deliberate manipulation and falsification can no longer be ignored. The fact that these deeply flawed accounts have nevertheless had a massive influence — leaving their mark upon several generations of scholars, interpreters and music-lovers, and becoming a foundation of the critical and popular literature on Mahler — constitutes the 'Alma Problem'.

Source: Wikipedia 

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Hartleben In Meines Vaters Garten by Alma Mahler Werfel

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LUCRECIA ROCES KASILAG -  PHILLIPINES
BORN 31 AUGUST   

Lucrecia Roces Kasilag (31 August 1918 – 16 August 2008) was a Filipino composer and pianist. She is particularly known for incorporating indigenous Filipino instruments into orchestral productions.

Kasilag grew up in Paco, Manila, where she was educated at Paco Elementary School and graduated valedictorian in 1930. She then transferred to Philippine Women's University for high school, where in 1933 she also graduated as valedictorian. For college, she graduated cum laude in 1936 with a Bachelor of Arts, majoring in English, in the same university. She also studied music at St. Scholastica’s College in Malate, Manila, with Sister Baptista Battig, graduating with a Music Teacher's Diploma, major in piano, in 1939.

After completing her studies, Kasilag made an international tour as a concert pianist, but eventually had to give up a performing career due to a congenital weakness in one hand.

Kasilag was instrumental in developing Philippine music and culture. She founded the Bayanihan Folks Arts Center for research and theatrical presentations, and was closely involved with the Bayanihan Philippine Dance Company.

She was also a former president of the Cultural Center of the Philippines, head of the Asian Composers League, Chairperson of the Philippine Society for Music Education, and was one of the pioneers of the Bayanihan Dance Company. She is credited for having written more than 350 musical compositions, ranging from folksongs to opera to orchestral works, and was composing up to the year before she died, at age 89.

Source: Wikipedia and Phillipines Kundiman

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Lullaby by Lucrecia Roces Kasilag

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30 AUGUST 2019

LIA CIMAGLIA ESPIONSA - ARGENTINA
BORN 30 AUGUST

Lía Cimaglia Espinosa (Buenos Aires, August 30, 1906 - November 1, 1998) was an Argentine pianist, composer and teacher.

As a child, Lía Cimaglia already has shown her vocation and started her connection with the teacher Alberto Williams. After that, she kept studying with Celestino Piaggio and Jorge de Lalewicz.

In 1938 she would receive a scholarship from the National Culture Commission that would allow her to travel to Paris and continue her studies with the pianists Ives Nat, Alfred Cortot and Isidoro Phillipp and spread the music from Argentina in France, Italy and Germany. In the Pleyel Hall in Paris, she obtained a brilliant success by interpreting Debussy's Twenty-Four Preludes.

She has traveled America and Europe, and had performed in France, Spain, United Kingdom, Italy, Germany, Austria, Belgium, United States, Mexico, Venezuela, Chile, Uruguay, Peru and Paraguay. Her work as a composer is outstanding. She composed chamber works for piano only or for groups. She also made more than forty songs for voice and piano, for some of which she would receive the "Municipal Award for Interpretation and Composition", mixing music and the poems wrote by her brother-in-law Juan Oscar Ponferrada or by the writer Gabriela Mistral.

She completed her extensive work as a pedagogue, at the National Conservatory or at the "Williams". One of her disciples is Mauricio Annunziata.

Source: Wikipedia and La Nacion

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Suite Cimaglia by Lia Cimaglia

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HENRIETTE DE BEAUMESNIL -  FRANCE
BORN 30 AUGUST   

Henriette Adélaïde Villard or Henriette-Adélaïde de Villars, known under the stage name of Mlle Beaumesnil (30 August 1748 – 5 October 1813), was a French opera singer and composer.

Mlle Beaumesnil began working in minor comedy roles from the age of seven and debuted as a soloist at the Paris Opera in 1766, substituting for the primadonna Sophie Arnould in the title role of Berton and Trial's Sylvie. She later sang in many premieres and revivals, patiently hoping that she would finally replace Arnould after her retirement.

Around the same period she married tenor "Philippe" (Philippe Cauvy, 1754-ca 1820), a celebrated member of the Opéra-Comique (or, to be precise, the Comédie Italienne). Concerning Mlle Beaumesnil's strong temperament, Émile Campardon also relates the story (maybe a legend) of her being involved in a 'duel au pistolet' with the dancer Mlle Théodore (born Marie-Madelaine Crepé, 1760-1796). The two women firmly refused the mediation efforts of the conductor of the Paris Opera orchestra Jean-Baptiste Rey who had turned up at the scene of the duel. They eventually got back the pistols he had taken over and laid down on the grass, and would begin the fight. The pistols however had got moist with dew and misfired, whereupon the two ladies decided to bury their differences by throwing their arms around each other's neck.

Mlle Beaumesnil wrote music from time to time and was the third woman to have a composition of hers performed at the Paris Opéra. Anacréon, her first opera, was not accepted and just received a private performance at the Brunoy residence of the Count of Provence in 1781. In 1784, however, she set again to music the libretto of the third entrée of Colin de Blamont's Les festes grecques et romaines, under the title of Tibulle et Délie, and her composition was successfully given at the Paris Opera to serve as a companion piece for Gluck's Iphigénie en Aulide on 15 March 1784. In 1792, her two-act opéra comique, Plaire, c'est commander was mounted at the Théâtre Montansier.

Source: Wikipedia and Oxford Index

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Sinfonia from Tibule et Delie by Henriette de Beaumesnil

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29 AUGUST 2019

ABBY HUTCHINSON PATTON - USA
BORN 29 AUGUST

Abby Hutchinson Patton (August 29, 1829 – November 24, 1892) was an American singer and poet.

Abby Hutchinson was born in Milford, New Hampshire, on August 29, 1829. She was the fourth daughter and the sixteenth and youngest child of Jesse Hutchinson (1778–1851) and Mary Hastings Leavitt (1783–1868). In 1839 Abby Hutchinson Patton made her first appearance as a singer in her native town. On that occasion the parents and their thirteen children took part.

In May 1843, the Hutchinson family first visited New York City. Their simple dress and manners and the harmony of their voices took the New Yorkers by storm. The Hutchinsons, imbued with the love of liberty, soon joined heart and hand with the Abolitionists, and in their concerts sang ringing songs of freedom. This roused the ire of their pro-slavery hearers to such an extent that they would demonstrate their disapproval by yells and hisses and sometimes with threats of personal injury to the singers, but the presence of Abby held the riotous spirit in check. With her sweet voice and charming manners she would go forward and sing "The Slave's Appeal" with such effect that the mob would become peaceful.

In August 1845, Abby went with her brothers, Jesse, Judson, John and Asa, to England. They found warm friends in William Howitt and Mary Howitt, Douglas William Jerrold, Charles Dickens, and others.

After her marriage Patton sang with her brothers on special occasions. At the outbreak of the Civil War, in 1861, Patton joined with her brothers in singing the songs of freedom and patriotism.

During her travels Patton was a frequent contributor to the American newspapers. She composed music to several poems, among which the best known are "Kind Words Can Never Die" and Alfred, Lord Tennyson's "Ring Out, Wild Bells." In 1891 she published a volume entitled "A Handful of Pebbles", consisting of her poems, interspersed with paragraphs and proverbs, containing the essence of her happy philosophy.

She was interested in the education of women and was an earnest believer in women's suffrage, which movement she has aided by tongue and pen.

Source: Wikipedia

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Kind words can never die by Abby Hutchinson Patton

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ANDREA CLEARFIELD -  USA
BORN 29 AUGUST   

Andrea Clearfield (born 1960) is an American composer of contemporary classical music. Regularly commissioned and performed by ensembles in the United States and abroad, her works include music for orchestra, chorus, soloists, chamber ensembles, dance, film and multimedia collaborations.

Clearfield was born on August 29, 1960 in Philadelphia, PA. Her parents loved music and often played chamber music in the living room. Clearfield started playing piano at age 5 and later played flute and timpani in the school bands and orchestras at Cynwyd Elementary, Bala-Cynwyd Junior High and Lower Merion High School. She also played in rock, folk and world music groups. Her father is a physician and her mother a painter, and she has one brother. Clearfield took an interest to composition early on, arranging pop songs from the radio for voices, strings and percussion.

Clearfield met her first "woman composer mentor," Margaret Garwood, when she attended Muhlenberg College. Clearfield later went on to earn a M.M. in Piano from the Philadelphia College of Performing Arts (now the University of the Arts), and subsequently received a D.M.A. in Composition from Temple University, where her principal teacher was Maurice Wright. Clearfield is the founder and host, since 1986, of the Philadelphia Salon concert series, featuring contemporary, classical, jazz, world, electronic, multimedia, and spoken word arts.

Clearfield writes for opera, orchestra, chorus, chamber ensembles, dance and multimedia collaborations and has composed a number of large-scale cantatas. Her style is lyrical and rhythmically compelling, with lush harmonies and contrasting fields of texture and sound color. Her work on the Golem Psalms includes the practice of gematria which she embeds into the composition. Clearfield's piece, Unremembered Wings, is based on the poetry of Pablo Neruda.

Source: Wikipedia and Andrea Clearfield Official Website

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Three songs for violin and double bass by Andrea Clearfield

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28 AUGUST 2019

SOPHIE GAIL - FRANCE
BORN 28 AUGUST

Edmee Sophie Gail née Garre (28 August 1775 – 24 July 1819) was a French singer and composer.

Sophie Garre was born in Paris in the parish of Saint Sulpice, the daughter of Marie-Louise Adelaide Colloz and surgeon Claude-Francois Garre (1730–1799). She studied piano as a child and published her first composition, a romance, at the age of 14. At the age of 19, she married editor Jean-Baptiste Gail (1755–1829) and had one son, Jean François Gail.

She and her husband divorced in 1801, and Sophie Garre toured as a singer in Europe. She studied with Fétis, Perne and Sigismund Neukomm and wrote an opera comique as her first work for theater. She died in Paris.

Source: Wikipedia and Wikipedia France

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Bolleros by Sophie Gail

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TERESA MILANOLLO -  ITALY
BORN 28 AUGUST   

Teresa (1827–1904) and her younger sister Maria (1832–1848) Milanollo, were Italian violin-playing child prodigies who toured Europe extensively to great acclaim in the 1840s. After Maria died at age 16, Teresa, who was also a composer, had a long solo career. The name "Milanollo" has been perpetuated by the regimental march of the Life Guards, Coldstream Guards and Governor General's Foot Guards, written in their honour by their contemporary J.V. Hamm. The Teatro Milanollo in their native Savigliano was named for the sisters.

Teresa Milanollo was a pioneer among women violinists, however, her musical compositions are now largely forgotten. Three of her violins survive today, a 1728 Stradivarius (the "Milanollo-Dragonetti") played by Paganini and bequeathed to Teresa by Domenico Dragonetti, a c. 1680 Ruggieri small violin (the "Milanollo") the property of her younger sister Maria, auctionied by Tarisio in April 2010, and a 1703 Stradivarius (the "Milanollo-Hembert").

Teresa Milanollo's works, largely forgotten today, include:Ave Maria; Chorus for male quartet; Fantaisie élegiaque for violin (1853; written in memory of her sister and co-violinist, Maria); Two romances; Transcriptions and variations for violin and pianoforte and others.

In 2016, the CD "musica immortale" by violinist Valentina Busso and pianist Eliana Grasso, containing 7 of Milanollo's compositions was released by Musica Viva records.

Source: Wikipedia and Wikipedia France

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Lamento by Teresa Milanollo

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27 AUGUST 2019

REBECCA CLARKE - UK
BORN 27 AUGUST

Rebecca Clarke (27 August 1886 – 13 October 1979) was an English classical composer and violist best known for her chamber music featuring the viola. She was born in Harrow and studied at the Royal Academy of Music and Royal College of Music in London, later becoming one of the first female professional orchestral players. Stranded in the United States at the outbreak of World War II, she settled permanently in New York City and married composer and pianist James Friskin in 1944. Clarke died at her home in New York at the age of 93.

Although Clarke's output was not large, her work was recognised for its compositional skill and artistic power. Some of her works have yet to be published (and many were only recently published); those that were published in her lifetime were largely forgotten after she stopped composing. Scholarship and interest in her compositions revived in 1976. The Rebecca Clarke Society was established in 2000 to promote the study and performance of her music.

Clarke achieved what she called “my one little whiff of success” in 1919 when her viola Sonata tied for first place in a competition sponsored by Elizabeth Sprague Coolidge. Striking for its passion and power, her music spans a range of 20th-century styles including Impressionism, post-Romantic, and neo-Classical. Although she wrote nearly 100 works (including songs, choral works, chamber pieces and music for solo piano), only 20 pieces were published in her lifetime, and by the time of her death in 1979, at age 93, all of these were long out of print.

Source: Wikipedia and Rebecca Clarke Official Website

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Morpheus by Rebecca Clarke

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CATHERINE MCMICHAEL -  FRANCE
BORN 27 AUGUST   

Catherine McMichael (b. 1954) is an American pianist, arranger, composer and publisher.

Catherine's commitment to making chamber and ensemble music available to the young musician has led her to compose and publish music for piano and strings, flute and harp, brass choir, piano duet, and chorus, many of which appear on the National Federation of Music Teachers' recommended repertoire list. Two of her works for flute have won the Best Newly Published Music award from the National Flute Association (Floris and La Lune et les Etoiles). She's the author of a piano method, Making Music My Own, supplementary repertoire and duets, published in 1994-1995.

Her composition projects in the past three years include commissions from such diverse groups as the Saginaw Bay Orchestra (full orchestra), Ithaca Talent Education (for string orchestra), The Canadian Brass (brass quintet), and University of Massachusetts at Amherst (chorus, saxophone and piano; and tenor, saxophone and piano).

Teaching, performing and composing comprise her professional musical life in Saginaw, Michigan. She performs frequently with the Saginaw Choral Society and the Saginaw Bay Symphony Orchestra.

An alumna of the University of Michigan (B.M. piano performance, M.M. chamber music and accompanying), she also directs the handbell choir at First United Methodist Church in Saginaw, is on the faculty of Saginaw Valley State University, and is a clinician at workshops and institutes in North America and Australia.

Source: Windrep and Catherine McMichael Website

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Dog Chronicles by Catherine McMichael

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26 AUGUST 2019

SALLY BEAMISH - UK
BORN 26 AUGUST

Sally Beamish (born 26 August 1956) is a British composer and violist. Her works include chamber, vocal, choral and orchestral music. She has also worked in the field of music theatre, film and television, as well as composing for children and for her local community.

Sarah F Beamish was born on 26 August 1956 in London, to Tony and Ursula Beamish. She studied viola at the Royal Northern College of Music, where she received composition lessons from Anthony Gilbert and Lennox Berkeley. She later studied in Germany with the Italian violist Bruno Giuranna.

Beamish won a 'Creative Scotland' Award from the Scottish Arts Council which enabled her to write her oratorio for the 2001 BBC Proms – the Knotgrass Elegy premiered by the BBC Symphony Orchestra and Chorus with Sir Andrew Davis.

Other works include three viola concerti, two string quartets, two percussion concerti (the second of which was written for Colin Currie with the Scottish Chamber Orchestra, Stanford Lively Arts and the Bergen Symphony Orchestra and premiered in 2012), and works for traditional instruments, including a concerto for clàrsach and fiddle concerto premiered by Catriona Mackay and Chris Stout in 2012.

In 2012, and again in 2015, she was featured as BBC Radio 3's Composer of the Week. Also she has a series of recordings on the BIS label.

In March 2016, Beamish was elected a Fellow of the Royal Society of Edinburgh, Scotland's National Academy for science and the arts. In December 2017 Northern Ballet premiered The little mermaid, a full length ballet with her orchestral score.

Beamish was presented with the 'Award for Inspiration' at the 2018 British Composer Awards.

Source: Wikipedia and Sally Beamish Official Website

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Galla Water by Sally Beamish

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IDA GOTKOVSKY -  FRANCE
BORN 26 AUGUST   

Ida Rose Esther Gotkovsky (born 26 August 1933) is a French composer and pianist. She is currently a professor of music theory at the Conservatoire National Superieur de Musique in France.

Gotkovsky was born on 26 August 1933 in Calais, France. Her father was the violinist Jacques Gotkovsky of the Loewenguth Quartet and her mother also played the violin. Both her brother Ivar (a pianist) and her sister Nell (a violinist) became accomplished musicians. Gotkovsky began composing at the age of eight. She studied at the Paris Conservatoire, where her teachers included Olivier Messiaen and Nadia Boulanger.

Gotkovsky’s output includes chamber music, symphonies, instrumental music, vocal music, ballets, and operas. Notably, she has contributed many solo and chamber pieces for the saxophone. Her Concerto for Trombone (1978) has been compared to Messiaen, and her Suite for Tuba and piano (1959) reveals influence of Hindemith. She is also recognized for having written important works for band.

Gotkovsky's music credo is: "To create a universal musical art and to realize the oneness of musical expression through the ages by means of a contemporary musical language with powerful structures."

Source: Wikipedia and Gotkovsky Official Website

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Poem du Feu by Ida Gotkovsky

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25 AUGUST 2019

YEKATERINA ALEXEIEVNA SENYAVINA - RUSSIA
DEATH 25 AUGUST

Yekaterina Alexeyevna Sinyavina (died 1784) was a Russian composer and pianist. A cembalo concerto by Giovanni Paisiello was probably first performed at the court of Catherine II in 1781 with Sinyavina as soloist. She served as a lady-in-waiting and composer at the court, married Count Simon Romanovich Vorontsov and died in St. Petersburg.

Source: PeoplePill

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Sonata n1 by Yakaterina Alexeievna Senyavina

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MARY FINSTERER -  AUSTRALIA
BORN 25 AUGUST   

Mary Finsterer (born 25 August 1962) is an Australian composer and academic.

Finsterer was born in Canberra in 1962; her siblings are the actors Anni Finsterer and Jack Finsterer. She graduated in 1987 with a Bachelor of Music degree from the University of Melbourne. A recipient of the Royal Netherlands Government Award in 1993, she continued her studies in Amsterdam with Louis Andriessen, then returned to Australia and studied with Brenton Broadstock, completing a Master of Music degree in 1995 at the University of Melbourne. She completed a Doctor of Philosophy degree in 2003. In 2006 she received a Churchill Fellowship for her continuing work in multimedia. Finsterer is married to the photographer Dean Golja.

Since 2007 Finsterer has completed a body of work that includes In Praise of Darkness, a major orchestral work for the Dutch ensemble ASKO│Schönberg in association with Tura Music, a violin duo for the acclaimed soloists Natsuko Yoshimoto and James Cuddeford, a string quartet for the Goldner String Quartet, a chamber work for the Sydney Soloists, and a number of works for her 2009 Composer in Residence position at the Campbelltown Performing Arts Centre.

Finsterer has taught music and composition at Duquesne University in Pittsburgh, the University of Montreal in Canada, the University of Wollongong, the Victorian College of the Arts, the Sydney Conservatorium of Music, the University of Sydney and the Australian Film, Television and Radio School where she became an Honorary Research Fellow in 2009. Finsterer is a Vice-Chancellor's Professorial Fellow at Monash University and in July 2014 was announced as the inaugural Chamber Music Australia Chair of Composition at Monash University teach there until 2017. She currently teaches as University of Tasmania whilst working on a new opera. Her works have been performed internationally.

Finsterer has composed for films and electro–acoustic events for the Music Biennale Zagreb, Le Nouvel Ensemble Moderne, Ensemble InterContemporain, and Ictus Ensemble for performance in Lille and Brussels. She worked as an orchestrator on the 2007 film Die Hard 4.0. Her film music for the 2010 feature film South Solitary received a Film Critics Circle of Australia nomination in 2010, and has since been released on the CD label ABC Classics. Her first opera, Biographica to a libretto by Tom Wright, about the life of Gerolamo Cardano, premiered in January 2017 at the Sydney Festival with the Sydney Chamber Opera at the Carriageworks.

Source: Wikipedia and Mary Finsterer Official Website

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Angelous by  Mary Finsterer

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24 AUGUST 2019

INGEBORG VON SCHELLENDORF - RUSSIA
BORN 24 AUGUST

Ingeborg Bronsart von Schellendorf (born Ingeborg Lena Starck, 24 August 1840 in Saint Petersburg, died 17 June 1913 in Munich) was a Swedish-German composer.

Ingeborg Starck was the daughter of Swedish parents Margareta Åkerman and Otto Starck who were living in Saint Petersburg, Russia, where her father was involved in commerce. Having shown musical gifts from a young age, studied piano with Nicolas von Martinoff and Adolf Henselt, as well as composition with Constantin Decker. She completed her studies in Weimar with Franz Liszt. During a stay in Paris in 1861 her friends included composers such as Auber, Berlioz, Rossini and Wagner (who commented in his autobiography on her good looks). In September of the same year, she married fellow pianist-composer Hans Bronsart von Schellendorff, a member of Liszt's circle whom she had met in Weimar.

Ingeborg Bronsart von Schellendorf, as she was now known, toured Europe as a concert pianist until 1867, when she was expected to cease work due to her husband's appointment as general manager of the Royal Theatre in Hanover. She remained musically active, however, as a composer of opera, chamber and instrumental music and a large number of songs. Earlier, she had composed a piano concerto (1863). During her lifetime her operas were successfully produced in many theatres in Germany. Pieces composed by her which were popular at the time included her Kaiser Wilhelm March (1871), the Singspiel Jery und Bätely (1873) and the opera Hiarne (1891).

Source: Wikipedia 

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Osterlied by Ingeborg von Schellendorf

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MONA LYN REESE -  USA
BORN 24 AUGUST   

Mona Lyn Reese (born August 24, 1951) is an American composer, best known for her operas and choral music. Her work is melodic and accessible with an emphasis on driving or complex rhythms, movement, and contrasting textures. Her music communicates and expresses emotions traditionally or experimentally without allowing a prevailing fashion to dictate style, form, or harmony.

Reese was born in Morris, Minnesota, and began piano lessons at age six, flute lessons at age eight, and taught herself guitar at age 13. She attended the University of Minnesota, Morris, (BA), where she also studied flute performance, composition and French. She continued at the University of Kansas (MM Composition), writing Love Songs to the Moon and Piano Moods. She began composing professionally in 1975, with music for woodwind quintet and percussion to a documentary film on Kansas. Reese was Composer in residence at the Minnesota Opera from 1991–99, where she arranged works for the Minnesota Opera touring company and conducted educational residencies to help students write and produce original operas.

Reese’s orchestral works have been performed by orchestras throughout the United States including the Minnesota Orchestra, the Livingston Symphony Orchestra (Livingston, New Jersey), the Atlanta Symphony, the Minnesota Sinfonia, and the San José Chamber Orchestra. She had her first European performance with the Czech Radio Symphony in 1997.

Source: Wikipedia

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Passage to Fatehpur Sikri by Mona Lyn Reese

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