JULIANA HALL - USA
BORN 4 AUGUST
American art song composer Juliana Hall is a prolific and highly-regarded composer of vocal music, whose songs have been described as “brilliant” (Washington Post), “beguiling” (Times of London), and “the most genuinely moving music of the afternoon” (Boston Globe).
Hall began composition studies as a 26-year-old graduate student majoring in piano performance at the Yale School of Music. Her teachers – Martin Bresnick, Leon Kirchner, and Frederic Rzewski – encouraged her to change careers, and in 1987 she received her Master’s degree in Composition.
Following Yale, Hall completed her studies with Dominick Argento in Minneapolis. While there, in 1987, she received her first commission (from the Schubert Club of Saint Paul) for a song cycle for star soprano Dawn Upshaw; in 1989 she received a second commission, for Metropolitan Opera baritone David Malis, and was also awarded a Guggenheim Fellowship.
Since then Hall has composed song cycles for numerous singers, including baritones Christopher Dylan Herbert and Richard Lalli; bass baritone Simon Chalifoux; countertenors Brian Asawa and Charles Humphries; mezzo sopranos Stephanie Blythe, Molly Fillmore, Clara Osowski, and Kitty Whately; sopranos Gwen Detwiler, Maggie Finnegan, Steffi Fischer, Martha Guth, Amy Petrongelli, Pamela Jordan Schiffer, and Laura Strickling; tenors Joel Burcham and Andrew Fuchs; and the vocal duo Feminine Musique (soprano Korliss Uecker and mezzo Tammy Hensrud), among many others.
Hall also received SongFest’s 2017 Sorel Commission, and was the Fall Island Vocal Arts Seminar’s 2018 Guest Composer as well as CollabFest’s 2018 Resident Composer.
Several art song organizations have presented concerts devoted to Hall’s music in recent years, including Sparks & Wiry Cries’ “Casement Fund Song Series” in New York City in 2016, the Contemporary Undercurrent of Song Project (CUSP) in Princeton in 2017, London’s “ReSung” art song series in 2018, and Calliope’s Call in Boston in 2019.