Album of the Week: Price: Symphonies Nos. 1 & 4, by Florence Price

Check out our new ALBUM OF THE WEEK! 

Here on #DONNE we believe that diversity should be celebrated every day and our work is strongly focused on this goal.

Today we invite you to listen to our ALBUM OF THE WEEK, share it with more people. We need to keep promoting diversity daily, raising the awareness of more people out there. EVERY DAY! 📀

Price: Symphonies Nos. 1 & 4, by Florence Price

About the album:

Florence Price was born in little rock, Arkansas and studied at the new England conservatory, but it was in Chicago that her composing career accelerated. The concert in 1933 at which her Symphony No. 1 in E minor was premiered was the first time a major American orchestra had performed a piece written by an African American woman. Influenced by Dvořák and Coleridge-Taylor, she drew on the wellspring of Negro spirituals and vernacular dances, full of lyricism and syncopation. the Symphony No. 4 in D minor demonstrates her tight ensemble writing, her distinct sense of orchestral colour, her Ellingtonian ‘jungle style’ language and her penchant for the ‘juba’ dance.

Source: Naxos

JUNE 10

SUSANA BARON SUPERVIELLE - ARGENTINA
Born 10 June

More about her

Find scores by Susana Baron Supervielle:

AVRIL ANDERSON - UK
Born 10 June

More about her

Find scores by Avril Anderson:

 Check here last year's composers of the day

9 APRIL 2019

FLORENCE PRICE - USA  
BORN 9 APRIL

The discovery of dozens of scores in an Illinois attic in 2009 led to renewed interest in the music of Florence Price, performances and recordings, and critical acclaim. Her music combines a rich and romantic symphonic idiom with the melodic intimacy and emotional intensity of African-American spirituals. As Alex Ross wrote in The New Yorker, her music "deserves to be widely heard." 

In 1932 her Sonata in E Minor for piano won First Prize in the Wanamaker music contest, with overall honors awarded to her first symphony. Frederick Stock, music director of the Chicago Symphony, became a supporter of her music and programmed the work. Price became the first African-American woman to have a work performed by a major U.S. orchestra when the Chicago Symphony Orchestra performed it in 1933. Though she composed hundreds of pieces, her catalogue did not enter the twentieth-century mainstream canon, and many of her works, including two violin concertos, could have vanished if not uncovered during the renovation of her abandoned home. 

Born in Little Rock, Arkansas in 1887, Price received early training on the piano from her mother, a music teacher. She went on to attend the New England Conservatory, one of few higher musical institutions accepting African-American students. There, she studied composition and counterpoint with George Chadwick and Frederick Converse, and graduated in 1906 with both an artistic diploma in organ and a teaching certificate. After years teaching music privately and serving as the head of the music department at Clark Atlanta University in Atlanta, Georgia, Price returned to Little Rock, then moved to Chicago, where she advanced her musical studies under Arthur Olaf Andersen, Carl Busch, Wesley LaViolette, and Leo Sowerby.

♫ LISTEN

Symphony No.1 in E Minor IV. Finale by Florence Price

► FIND SCORES BY FLORENCE PRICE 

AFARIN MAZOURI   

BORN 9 APRIL

Afarin Mansouri is an award-winning composer whose works have been performed in Canada, the United States, England, Iran, and South America. She received Music Creation Grants from the Toronto Arts Council for her children’s operetta To whom shall I give my heart?, based on a Persian story by Nader Ebrahimi in 2014, and her multidisciplinary work Doors, in 2015. Afarin has also appeared as solo soprano, singing new music in Farsi language at Toronto Culture Days 2014, Tirgan Festival 2015 and ICOT’s The Thirtieth Act in 2016.

Currently Afarin is a PhD candidate at York University finishing her research on children’s opera while teaching undergrad courses in music. She has presented her research at the Institute of Musical Research, London, UK (2013), and the 25th annual conference Mid-Atlantic Popular and American Culture Association, Baltimore (2014).

Afarin is very active in her community as musician and entrepreneur. She is the co-founder and Artistic Director of Iranian-Canadian Composers of Toronto (ICOT), and has curated many seasonal concerts with them since 2011. She is also founder and director of MUSIC NEST, an organization dedicated to educating and inspiring families through musical programs. She is an Associate Composer of the Canadian Music Centre and board member of North York Arts.

♫ LISTEN

Baa too Boodan by Afarin Manzouri 

► AFARIN MANZOURI'S WEBSITE